Words by David Whittle, altered by John Cashion
Composed by John Cashion
Sensitively set to this 19th century text, John Cashion breathes new life into this hymn text. The new tune he has composed follows the line and thought more closely. Several skips are found within the melodic range, providing much interest. Yet this melodic motion enhances, rather than detracts from the text. Note how the contour of the opening lines on pages 1 and 2 allows the text to flow freely and naturally. Also, one should observe the composer's shift from one to two-voice writing before adding a fourth. This gradual expansion further elucidates the text.
The texture of this anthem is thin, and never seems labored or heavy. The clear melodic line is undergirded by simpler choral parts, and does not become overpowered. The tessitura of the treble voices is a bit low at first, but shifts come often. A modulation occurs at the last stanza, which further enhances the text. Reverting back to the original key, the piece comes to a conclusion with a quiet statement of faith and assurance.
Scored for SATB with keyboard accompaniment, care must be given so that the opening treble lines do not force the lower tones. Also, strive to ensure that those same treble voices make the appropriate shifts into their upper range when required, otherwise, the tone can become too strident and harsh. The tendency for the lower voices to oversing must be stopped at the onset of working this setting. With the balance corrected, give attention to phrasing so that the stresses of the melodic lines flow naturally.

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